Raphael Fusco

Conductor & Vocal Coach

An award winning keyboardist, conductor, and composer throughout the US and Europe.

He has led productions with New Opera NYC, Morning Side Opera, Amato Opera, Boston University, and Company XIV and has appeared as guest conductor at Teatro Grattacielo, Harlem Opera Theater, Oregon Bach Festival, and Siena Summer Music Festival.

Since 2010 Mr. Fusco has been music director for ¡Figaro 90210!, the critically-acclaimed, modern adaptation of Mozart’s Le Nozze di Figaro by Vid Guerrerio.

The New York Times hailed, “Raphael Fusco led with verve and precision,” while Plácido Domingo raved, “Figaro 90210 is hands-down the best opera update I’ve seen.”

He has performed as harpsichordist and pianist in Carnegie Hall, Le Poisson Rouge, The Kimmel Center, Tuscia Opera Festival, Teatro degli Astrusi and other renowned venues. Praised “a lively player and fine improviser” by the Los Angeles Times, he has worked with world class artists and ensembles including Branford Marsalis, Daniel Rowland, American Ballet Theatre, Chamber Orchestra of Philadelphia, and members of the New York Philharmonic and Metropolitan Opera Orchestras.

He has received awards from the Alienor Harpsichord Competition, American Prize for Music, Bohuslav Martinu Composition Competition, and two artist residencies at the Piccola Academia di Montisi. Mr. Fusco holds degrees in composition and piano from the Mannes College of Music and completed studies at the Conservatorio G. Verdi di Torino, Vienna Konservatorium, and Paris Schola Cantorum.

www.raphaelfusco.com.

Glenn Morton

Artistic Director

Glenn Morton, a faculty member at New York’s three music conservatories, is proud to serve as the Artistic Director of all three Classic Lyric Arts Programs.

One of New York City’s most sought-after vocal coaches, he is honored to coach and mentor every singer and pianist attending Classic Lyric Arts workshops.

Mr. Morton currently serves on the faculties of Mannes College the New School for Music, Manhattan School of Music, and the Juilliard School, teaching courses in Italian Diction, French Vocal Literature, and Song Interpretation.

He received a Bachelors degree in piano performance from the Hartt School of Music and a Master of Music degree in collaborative piano from the Manhattan School of Music.

His work includes a wide variety of collaborations with companies such as the Opera Company of Boston, Tulsa Opera, New Orleans Opera, Sarasota Opera, Opera Lyra Ottawa, Santa Fe Opera, and Glimmerglass.

Mr. Morton serves as the founding Artistic Director of Classic Lyric Arts, Inc., a non-profit organization encompassing CLA Italy in Novafeltria, Italy, founded in 2009, and CLA France in the Périgord region of France, founded in 2012, providing advanced training in the techniques and traditions of French and Italian lyric music to emerging opera singers.

Marco Rizzello

Vocal Coach & Conducor

Marco Rizzello is an Italian pianist and opera coach. Currently based in Vienna, he holds the positions of Solorepetitor and Second Stage-Music Conductor on the full-time music staff of the Wiener Staatsoper.

During the 2026/27 season, his engagements in Vienna include appearances as fortepianist and recitative player for Le nozze di Figaro, L’elisir d’amore, and Così fan tutte, as well as assignments as répétiteur and backstage conductor for La clemenza di Tito, Il barbiere di Siviglia, La fille du régiment, Les pêcheurs de perles, Werther, Un ballo in maschera, Parsifal, I Capuleti e i Montecchi, and Der fliegende Holländer. He also appears in recital with soprano Florina Ilie and bass Bartosz Urbanowicz as part of the Staatsoper’s Ensemblematinée series.

Prior to moving to Vienna, Rizzello spent two seasons on the music staff of the Staatsoper Stuttgart, where he served as Solorepetitor and Italian Diction Coach. His work there encompassed repertoire ranging from Mozart and Rossini to Wagner, Verdi, Puccini, Prokofiev, and contemporary opera. He also performed with the Staatsorchester Stuttgart as an orchestral pianist and organist and played fortepiano for Don Giovanni and Barrie Kosky’s production of Die Zauberflöte.

During his time in Germany, Rizzello also worked as répétiteur and Italian diction coach for La Cenerentola in Baden-Baden with the Balthasar Neumann Ensemble and served as music director of Häßlich as fuck at JOiN – Junge Oper im Nord. In the 2026/27 season, he returns to the Staatsoper Stuttgart for a recital with four members of the ensemble.

Marco Rizzello has worked extensively throughout Europe and the United States. During the 2023/24 season, he was a Butler Studio Artist at Houston Grand Opera, becoming the first Italian artist to join the program. At HGO, he served as répétiteur for mainstage productions and played recitals in Houston and at the University of Texas at Austin. Other professional engagements include work as Italian Diction Coach at The Santa Fe Opera and as a staff pianist at the Ravinia Festival, where he appeared in four recitals with singers of the Ravinia Steans Music Institute. He is also a faculty member of the Spoleto Vocal Arts Workshop, where he works with emerging singers and pianists on operatic and vocal repertoire.

Rizzello has been a fellow and young artist at several leading training programs, including Wolf Trap Opera, the Georg Solti Accademia, and the Aspen Music Festival and School. He has also appeared on New York classical radio station WQXR and worked on the coaching staffs of the Manhattan School of Music and NYU Steinhardt.

A passionate recitalist, he has performed throughout Europe and the United States. Recent appearances include a recital at the North Norfolk Music Festival with tenor Jonah Hoskins. His background as a solo pianist includes performances and competition prizes in Italy, France, Austria, the Netherlands, and Denmark.

Rizzello has collaborated with conductors throughout Europe and the United States. During the current season at the Wiener Staatsoper, he works with conductors including Marco Armiliato, Gianluca Capuano, Patrick Hahn, Pablo Heras-Casado, Michele Mariotti, Cornelius Meister, Evelino Pidò, Leonardo Sini, Alexander Soddy, Emmanuel Villaume, and Simone Young.

His work in opera is closely connected to his interest in languages, style, and diction. A native Italian speaker, he is also fluent in English, German, Spanish, French, and Russian.

Rizzello holds a Bachelor’s degree in Piano from the Conservatorio “Bruno Maderna” in Cesena and Master’s degrees in Solo and Collaborative Piano from the Conservatorio “Gioachino Rossini” in Pesaro. He also studied at the International Piano Academy of Imola and completed a Professional Performance Diploma at the Manhattan School of Music in 2023.

John Viscardi

Career Coach & Alumni Advisor

John Viscardi, alumnus of CLA Italy 2009 and CLA France 2014, lives in Philadelphia with his wife Molly and two children, Jack and Noa. Throughout his operatic career, Mr. Viscardi has performed with Santa Fe Opera, Opera Philadelphia, New York City Opera, Michigan Opera Theatre, the Lyric Opera of Kansas City, Des Moines Metro Opera, and Opera Carolina. After a few years performing the tenor repertoire, Mr. Viscardi realized that his voice possessed a lower range, and he moved into the baritone repertoire, where his credits include the title roles in David DiChiera’s Cyrano at Michigan Opera Theatre and Opera Carolina, Erich in Dear Erich at the New York City Opera, and a forthcoming Pelléas in Pelléas and Mélisande at Opera Southwest. In addition, he has sung Valentin in Faust at Michigan Opera Theatre, and Papageno in The Magic Flute at the Toledo Opera. It was his work as a high baritone that enabled him to free the upper part of his voice, and he is now a Lyric Tenor, studying a variety of roles, among them Don José in Carmen and Pinkerton in Madama Butterfly.

Mr. Viscardi is featured in collaboration with Glenn Morton on Brilliant Classics’ complete recording of the works of F.P. Tosti – available on Spotify and Apple Music. Mr. Viscardi’s performances with orchestra and in recital includes Carmina Burana with Opera Philadelphia, the Duruflé and Fauré Requiems, and Vaughan Williams’ Five Mystical Songs (the latter three in Carnegie Hall), Vaughan Williams’ Fantasia on Christmas Carols with the Philadelphia Orchestra at the Kimmel Center, and a recital of Tosti songs in Tokyo. Mr. Viscardi has appeared in both recital and concert at venues that include Carnegie Hall (New York), Geffen Hall (New York), Tokyo Opera City (Tokyo), Verizon Hall (Philadelphia) and Avery Fisher Hall (New York). Winner of both the Gerda Lissner International Vocal Competition and Concorso Internazionale F.P. Tosti, Mr. Viscardi is a graduate of the Academy of Vocal Arts and New York University.

A multi-faceted artist, Mr. Viscardi is incredibly experienced in running and growing a variety of organizations. He is the co-founder of ArtSmart, a national arts mentoring organization that empowers students in underserved communities to find their path through mentorship with paid professional artists. Additionally Mr. Viscardi is the creator of Heartbridge, an app that explores the dimensions of sight, sound, and touch, and how they coalesce within Live Streamed performances. The app uses the vibrating motor in a cellphone to make it vibrate in time with the artists’ heartbeat so that the audience can feel what the artist is experiencing. Mr. Viscardi also serves as a board member of The Philadelphia Volunteer Lawyers for the Arts (PVLA).